đźšš Free Worldwide Shipping on All Orders!Shop Now
HomeStore

American Painters on Technique: The Colonial Period to 1860

Product image 1

American Painters on Technique: The Colonial Period to 1860

    Lance Mayer and Gay Myers

    This is the first comprehensive study of an important but largely unknown part of the history of American art: the materials and techniques used by American painters. Based on extensive research, including artists' recipe books, letters, journals, and painting manuals, much previously unpublished, the authors have also drawn on their many years as conservators of paintings for museums and collectors.

    Information is provided on the methods of painters such as Benjamin West, Gilbert Stuart, Washington Allston, Thomas Sully, Thomas Cole, and William Sidney Mount. Topics include the quest for the "secrets" of the Old Masters; how artists saw their paintings changing over time; the application of "toning" layers; and the evolving self-confidence of American experimenters and innovators.

    The book will be of interest to curators, art historians, painters, and conservators, and will form the basis for future research on American painting techniques. At a time of discovering new approaches to art history, the story of how paintings were made parallels the better-known histories about how styles changed and how paintings were commissioned, exhibited, and sold.

    Lance Mayer and Gay Myers work at the Lyman Allyn Art Museum in New London, Connecticut, and as independent conservators.

    “[The authors] have researched the topic for three decades, consulting sources as obscure as shopkeepers’ bills and paint still encrusted on artists’ palettes.”
    —New York Times

    “The first comprehensive study of the materials and techniques used by American painters before 1860. . . . [This book] offers a procession of fascinating personalities woven into a cohesive narrative that intertwines with American history.”
    —Fine Art Connoisseur

    "Conservators Lance Mayer and Gay Myers present a wealth of technical information amid amusing anecdotes and eccentric artistic profiles. Relying on primary sources, they uncover the creative processes and wide-ranging materials used by renowned American artists such as Benjamin West and Rembrandt Peale.”
    —Nineteenth-Century Art Worldwide

    “Mayer and Myers present an important ground-breaking compilation for all students of American painting, and indeed, of European painting.”
    —The Burlington Magazine

     

    260 pages
    6 x 9 inches
    19 color illustrations
    ISBN 978-1-60606-077-3
    hardcover

    Getty Publications
    Imprint: J. Paul Getty Museum

    2011

      Lance Mayer and Gay Myers

      This is the first comprehensive study of an important but largely unknown part of the history of American art: the materials and techniques used by American painters. Based on extensive research, including artists' recipe books, letters, journals, and painting manuals, much previously unpublished, the authors have also drawn on their many years as conservators of paintings for museums and collectors.

      Information is provided on the methods of painters such as Benjamin West, Gilbert Stuart, Washington Allston, Thomas Sully, Thomas Cole, and William Sidney Mount. Topics include the quest for the "secrets" of the Old Masters; how artists saw their paintings changing over time; the application of "toning" layers; and the evolving self-confidence of American experimenters and innovators.

      The book will be of interest to curators, art historians, painters, and conservators, and will form the basis for future research on American painting techniques. At a time of discovering new approaches to art history, the story of how paintings were made parallels the better-known histories about how styles changed and how paintings were commissioned, exhibited, and sold.

      Lance Mayer and Gay Myers work at the Lyman Allyn Art Museum in New London, Connecticut, and as independent conservators.

      “[The authors] have researched the topic for three decades, consulting sources as obscure as shopkeepers’ bills and paint still encrusted on artists’ palettes.”
      —New York Times

      “The first comprehensive study of the materials and techniques used by American painters before 1860. . . . [This book] offers a procession of fascinating personalities woven into a cohesive narrative that intertwines with American history.”
      —Fine Art Connoisseur

      "Conservators Lance Mayer and Gay Myers present a wealth of technical information amid amusing anecdotes and eccentric artistic profiles. Relying on primary sources, they uncover the creative processes and wide-ranging materials used by renowned American artists such as Benjamin West and Rembrandt Peale.”
      —Nineteenth-Century Art Worldwide

      “Mayer and Myers present an important ground-breaking compilation for all students of American painting, and indeed, of European painting.”
      —The Burlington Magazine

       

      260 pages
      6 x 9 inches
      19 color illustrations
      ISBN 978-1-60606-077-3
      hardcover

      Getty Publications
      Imprint: J. Paul Getty Museum

      2011

      $17.50

      Original: $50.00

      -65%
      American Painters on Technique: The Colonial Period to 1860—

      $50.00

      $17.50

      Description

        Lance Mayer and Gay Myers

        This is the first comprehensive study of an important but largely unknown part of the history of American art: the materials and techniques used by American painters. Based on extensive research, including artists' recipe books, letters, journals, and painting manuals, much previously unpublished, the authors have also drawn on their many years as conservators of paintings for museums and collectors.

        Information is provided on the methods of painters such as Benjamin West, Gilbert Stuart, Washington Allston, Thomas Sully, Thomas Cole, and William Sidney Mount. Topics include the quest for the "secrets" of the Old Masters; how artists saw their paintings changing over time; the application of "toning" layers; and the evolving self-confidence of American experimenters and innovators.

        The book will be of interest to curators, art historians, painters, and conservators, and will form the basis for future research on American painting techniques. At a time of discovering new approaches to art history, the story of how paintings were made parallels the better-known histories about how styles changed and how paintings were commissioned, exhibited, and sold.

        Lance Mayer and Gay Myers work at the Lyman Allyn Art Museum in New London, Connecticut, and as independent conservators.

        “[The authors] have researched the topic for three decades, consulting sources as obscure as shopkeepers’ bills and paint still encrusted on artists’ palettes.”
        —New York Times

        “The first comprehensive study of the materials and techniques used by American painters before 1860. . . . [This book] offers a procession of fascinating personalities woven into a cohesive narrative that intertwines with American history.”
        —Fine Art Connoisseur

        "Conservators Lance Mayer and Gay Myers present a wealth of technical information amid amusing anecdotes and eccentric artistic profiles. Relying on primary sources, they uncover the creative processes and wide-ranging materials used by renowned American artists such as Benjamin West and Rembrandt Peale.”
        —Nineteenth-Century Art Worldwide

        “Mayer and Myers present an important ground-breaking compilation for all students of American painting, and indeed, of European painting.”
        —The Burlington Magazine

         

        260 pages
        6 x 9 inches
        19 color illustrations
        ISBN 978-1-60606-077-3
        hardcover

        Getty Publications
        Imprint: J. Paul Getty Museum

        2011

        American Painters on Technique: The Colonial Period to 1860 | Getty Museum Store