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Harry Smith: The Avant-Garde in the American Vernacular

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Harry Smith: The Avant-Garde in the American Vernacular

    Edited by Andrew Perchuk and Rani Singh

    Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923–1991) was among the most original creative forces in postwar American art and culture, yet his life and work remain poorly understood. Today he is remembered primarily for his Anthology of American Folk Music (1952)—an idiosyncratic collection of early recordings that educated and inspired a generation of musicians and roots music fans—and for a body of innovative abstract and non-narrative films. Constituting a first attempt to locate Smith and his diverse endeavors within the history of avant-garde art production in twentieth-century America, the essays in this volume reach across Smith's artistic oeuvre.

    In addition to contributions by Paul Arthur, Robert Cantwell, Thomas Crow, Stephen Fredman, Stephen Hinton, Greil Marcus, Annette Michelson, William Moritz, and P. Adams Sitney, the volume contains numerous illustrations of Smith's works and a selection of his letters and other primary sources.

    Andrew Perchuk is deputy director of the Getty Research Institute. Rani Singh is senior research associate in the Department of Architecture and Contemporary Art at the Getty Research Institute as well as director of the Harry Smith Archives.

    "An excellent, thought-provoking book... This book comes very close . . . to being a faithful mirror of its fascinating subject and, like its subject, will provoke, educate, and entertain in equal measure."
    —popmatters.com

     

    296 pages
    7 x 10 inches
    46 color and 54 b/w illustrations
    7 line drawings
    ISBN 978-0-89236-735-1
    paperback

    Getty Publications
    Imprint: Getty Research Institute
    Series: Issues & Debates

    2010

      Edited by Andrew Perchuk and Rani Singh

      Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923–1991) was among the most original creative forces in postwar American art and culture, yet his life and work remain poorly understood. Today he is remembered primarily for his Anthology of American Folk Music (1952)—an idiosyncratic collection of early recordings that educated and inspired a generation of musicians and roots music fans—and for a body of innovative abstract and non-narrative films. Constituting a first attempt to locate Smith and his diverse endeavors within the history of avant-garde art production in twentieth-century America, the essays in this volume reach across Smith's artistic oeuvre.

      In addition to contributions by Paul Arthur, Robert Cantwell, Thomas Crow, Stephen Fredman, Stephen Hinton, Greil Marcus, Annette Michelson, William Moritz, and P. Adams Sitney, the volume contains numerous illustrations of Smith's works and a selection of his letters and other primary sources.

      Andrew Perchuk is deputy director of the Getty Research Institute. Rani Singh is senior research associate in the Department of Architecture and Contemporary Art at the Getty Research Institute as well as director of the Harry Smith Archives.

      "An excellent, thought-provoking book... This book comes very close . . . to being a faithful mirror of its fascinating subject and, like its subject, will provoke, educate, and entertain in equal measure."
      —popmatters.com

       

      296 pages
      7 x 10 inches
      46 color and 54 b/w illustrations
      7 line drawings
      ISBN 978-0-89236-735-1
      paperback

      Getty Publications
      Imprint: Getty Research Institute
      Series: Issues & Debates

      2010

      $12.25

      Original: $35.00

      -65%
      Harry Smith: The Avant-Garde in the American Vernacular—

      $35.00

      $12.25

      Description

        Edited by Andrew Perchuk and Rani Singh

        Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923–1991) was among the most original creative forces in postwar American art and culture, yet his life and work remain poorly understood. Today he is remembered primarily for his Anthology of American Folk Music (1952)—an idiosyncratic collection of early recordings that educated and inspired a generation of musicians and roots music fans—and for a body of innovative abstract and non-narrative films. Constituting a first attempt to locate Smith and his diverse endeavors within the history of avant-garde art production in twentieth-century America, the essays in this volume reach across Smith's artistic oeuvre.

        In addition to contributions by Paul Arthur, Robert Cantwell, Thomas Crow, Stephen Fredman, Stephen Hinton, Greil Marcus, Annette Michelson, William Moritz, and P. Adams Sitney, the volume contains numerous illustrations of Smith's works and a selection of his letters and other primary sources.

        Andrew Perchuk is deputy director of the Getty Research Institute. Rani Singh is senior research associate in the Department of Architecture and Contemporary Art at the Getty Research Institute as well as director of the Harry Smith Archives.

        "An excellent, thought-provoking book... This book comes very close . . . to being a faithful mirror of its fascinating subject and, like its subject, will provoke, educate, and entertain in equal measure."
        —popmatters.com

         

        296 pages
        7 x 10 inches
        46 color and 54 b/w illustrations
        7 line drawings
        ISBN 978-0-89236-735-1
        paperback

        Getty Publications
        Imprint: Getty Research Institute
        Series: Issues & Debates

        2010

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